00:00  (A) Piano and vibraphone statement of the theme on which the work is based. The first two measures offer the motive that generates the entire theme and piece.
00:14  Second four bar phrase that answers the first. Still uses the same motive.
00:26  Third four bar phrase that extends the second and leads to the second part of the opening theme, which is itself derived from the first part used in these three opening phrases.
00:39  (B) Second section of the opening theme. The new motive is just three notes shared between bass, piano and vibes.
00:52 Concluding four bars of this second section, which slows down before solos begin.
01:06  (A) Vibe solo. Two choruses of ABA. Tempo picks up with a light swing feel. Listen for the light comping in the piano behind the solo (12 bars)
01:33  (B) Motivic use of the theme in vibe solo as a set up to the next chorus (8 bars)
01:50  (A) Return to swing feel to close the first chorus
01:59 Motivic bass line under the soloist
02:16  (A) Second chorus follows the same formal design as the first. Return to straight time (first of two six-bar phrases)
02:29 Second six-bar phrase to complete the 12-bar section
02:42  (B) Middle phrase of the second chorus (8 bars)
02:59  (A) Return to swing feel for final 12 bars of the second chorus. Motivic bass line reappears
03:25  A double speed statement (diminution) of the second part of the opening theme used as an interlude between solos
03:34  (A) Piano solo begins The same formal structure used for the vibe solo is followed for the piano solo--two choruses of ABA.
04:00  (B) Listen for repeated notes in bass 
04:17  (A) Same bass motive used under solo
04:43  (A) of second chorus
05:10  (B) Same repeated notes in the bass
05:27  (A) Last 12 bars with bass motive underneath
05:53  Opening theme is repeated at the same tempo as the beginning
06:30  Second section of opening (now closing) theme
07:00  Slows down and ends
07:04  End.
